Haunted
The past as a haunting presence. Cold hands reaching out, the silent question of why, which rears its head every day. National and individual ghosts and the question of hope: whether we can live with the past.

Cold Hands
After her grandmothers passing Ikki embarks on a journey of grief through advertisements, screens, and giant bones. This film blends surreal imagery and dark humor to explore how we process pain in a culture obsessed with wellness and positivity.
| Cast | Shulamit Dassa |
| Cinematographer | Noga Sieradzki |
| Director | Noga Erlich Kochavi |
| Music | Omer Levy |
| Sound Designer | Ilai Schwebel |

The Blue Castle Method
Die Blue-Castle-Methode
Since Eren’s father died, his mother has been crying every day. But he hardly sheds a tear. Is there something wrong with him? Remembering a shared visit to the stadium, he develops a method to finally release his feelings.
| Animation | Lars Blumenthal |
| Director | Lars Blumenthal |
| Editing | Lars Blumenthal |
| Film School | DHBW Ravensburg |
| Music | Moritz Bussinger |
| Screenplay | Lars Blumenthal |
| Sound Designer | Lars Blumenthal |
| Voice | Lars Blumenthal |
| Moritz Bussinger | |
| Volker Philippi |

Mother of a Son
Martha visits her son’s grave for the first time since his school shooting. After meeting a grieving relative of one of the victims, she tries to come to terms with her identity as the mother of a perpetrator.
| Cast | Carl Benzschawel |
| Karoline Eichhorn | |
| Frederik Krischer | |
| Petra Mott | |
| Lukas Omoto | |
| Levi Tounkara | |
| Cinematographer | Anian Krone |
| Composer | Giovanni Berg |
| Costume | Luisa Holzapfel |
| Lene Lohrmann | |
| Director | Kevin Koch |
| Editing | Emma Holzapfel |
| Producer | Anton Fischer-Appelt |
| Michael Uchenik | |
| Production Designer | Milena Schieber |
| Screenplay | Kevin Koch |
| Sound Designer | Elias Gürtler |
| Still | Anian Krone |

Two Captains
Yuri, a failed actor posing as an FSB agent, tries to scam a war veteran. He fails when the veteran mistakes him for a Gulag officer from his past and pulls a grenade. A tense standoff follows where only one will survive.
| Art Director | Sasha Dykhne |
| Cast | Anatoli Beliy |
| Vladimir Friedman | |
| Cinematographer | Daniel Shagaev |
| Director | Eugene Grebenchuk |
| Editing | Ernest Aranov |
| Producer | Elizaveta Shevchenko |
| Screenplay | Eugene Grebenchuk |
| Sound Designer | Ronen Nagel |

Memorare
Video recordings of her mother show Maia’s carefree childhood, protected by the numerous statues of Mary in her catholic family’s home. But over the years, the recordings and the role of the Virgin Mary change. What hides behind the veil?
| Cast | Mina Cruz |
| Karl Medina | |
| Jewel Milag | |
| Ashtine Olviga | |
| Cinematographer | Akie Yano |
| Costume | Cris Cao |
| Director | Sophia Therese Velonza |
| Editing | Hector Calma |
| Sophia Therese Velonza | |
| First AD | Alyssa Villanueva |
| Producer | Hector Calma |
| Production Designer | Elvin Jay Macanlalay |
| Screenplay | Hector Calma |
| Sophia Therese Velonza | |
| Sound Designer | Hector Calma |

Living Stones
Élő kövek
Natasa undergoes slow and uneasy therapy-sessions, far from the city. During horse therapy, she finds a fragile connection but the boundaries between therapist and patient start to blur and the chasm between healing and harm widens.
| Cinematographer | Ádám Fillenz |
| Director | Jákob Ladányi Jancsó |
| Editing | László Csongor Csurka |
| Music | Petra Szászi |
| Screenplay | Jákob Ladányi Jancsó |
| Zsófia Ruttkay | |
| Sound Designer | Gábor Kerekes |