Capturing Light And Darkness
Film is known to be truth in 24 frames per second. The search for this truth leads to distant lands, seeks to deceive or attempts to prove, provokes us to look into the mirror, and makes it clear that reality has many faces.

Monstro Obscura
Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the films. Burdened by a vanished past, the monster wanders the city.
| Animation | Kim Min Hee |
| Cinematographer | Jung Han Seo |
| Director | Hong Seung Gi |
| Editing | Hong Seung Gi |
| Music | Kim Won Yeop |
| Producer | Lee Deun Sam |
| Production Designer | Hong Seung Gi |
| Screenplay | Hong Seung Gi |
| Sound Designer | Kim Jae Hwan |

It Might Even Be Real
אולי זה אפילו באמת
Animation is the illusion of motion. People believe in the motion despite seeing still images. This film focuses on the past two years in Israel and the need for illusions in face of reality. Can we get ourselves to believe in the illusion of hope?
| Animation | Yael Bonne |
| Omer Dolev | |
| Yoav Maman | |
| Cinematographer | Omer Dolev |
| Director | Yael Bonne |
| Music | Noya Fox |
| Sound Designer | Noya Fox |

Sixty-Seven Milliseconds
Soixante-Sept Millisecondes
In search of a bullet that has been captured on surveillance camera footage, the film follows its trajectory and those of its main protagonists. Blending early and modern cinema techniques, this film questions the legitimacy of policing in France.
| Director | Fleuryfontaine |
| Editing | Marie Loustalot |
| Jeanne Sarfati | |
| Music | Abul Mogard |
| Producer | Eliott Baillon |
| Sound Designer | Luc Aureille |

Circle of Trust
Von Außen Nach Innen
Under the direction of a manipulative director, young actors rehearse a new play. The rehearsal develops into a psychodramatic experiment. The boundaries between reality and play become blurred until the situation spirals out of control.
| Cinematographer | Victor Rubow |
| Director | Jonatan Maiwald |
| Producer | Tara Radovic |
| Marcel Schadt | |
| Screenplay | Jonatan Maiwald |
| Sound Designer | Valentin Vankann |
| Sound Mixer | Youness Hamdoundene |
| Still | Victor Rubow |

Double or Nothing
This film tells the story of a ruthless real estate shark in the booming Tokyo of the 1980s. His passion is illegal gambling in the underworld. An American is on his trail, but his greatest enemy is his own insatiable greed.
| Animation | Marco Jörger |
| Elie Chapuis | |
| Tokay | |
| Jack Zhang | |
| Cinematographer | Marco Jörger |
| Director | Tokay |
| Editing | Tokay |
| Music | Jakob Eisenbach |
| Producer | Florian Brunner |
| Tina Ohnmacht | |
| Tokay | |
| Production Designer | Konstantin Rosshoff |
| Screenplay | Tokay |
| Sound Designer | Etienne Kompis |
| Tokay |

The Bats Have Left The Belfry
Los murciélagos han abandonado el campanario
In an abandoned mansion deep in the forest, a vampire and filmmaker lives with his five disciples. On the night of his birthday, he reveals his last wish: he wants to film the one moment he has never dared to face.
| Cinematographer | Juan Manuel Marín |
| Director | Manuel Bernal |
| Alfonso Bernal | |
| Editing | Pablo Ortega Prieto |
| Cristian Tormo Navarro | |
| Music | Enrico Barbaro |
| Producer | Ainhoa Cabrera López |
| Gonzalo Carvajal Montejo | |
| Production Designer | Berta Bellido |
| Screenplay | Lucía Angulo |
| José Antonio Jiménez | |
| Sound Designer | Angelina Foglio |
| Marcos García Ferrer |